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Movie Famous - October 2007

Heroes season two, episode two

This show is just getting better and better. We’re only in the second week of season two, and already we can see several plot threads emerging that will probably come to dominate the remainder of the year’s events. I can’t recall the last time a show was already at this level of quality so early in its run. Most TV sci-fi shows take a couple of years to find their footing.

I’m particularly enjoying Hiro’s storyline, in which he is stuck in 17th century feudal Japan. I had a feeling that he would pose as Kensei (because the actual Kensei was too much of a drunkard to fulfil his important role in historical events). Being a long-time ‘Star Trek’ fan, I was expecting this to happen. Watch ‘Deep Space Nine’’s third season ep Past Tense (in it, Captain Sisko has to take the place, in the timeline, of a 21st century revolutionary figure, because the real version was killed ignominiously in a riot). When Kensei was shot with a dozen arrows, I feared that his death would mean that Hiro would be forced to remain in 1600s Japan and ‘become’ the ersatz Kensei. But, my fears proved unfounded. It appears that the British samurai is the possessor of some neat Claire-esque regeneration powers.


Speaking of whom, I was really enjoying Claire’s storyline this week, too. Her recent discovery that she can lop off toes, and they just regenerate immediately, conjured up several additional questions in my mind. Can Claire get sick? Can she die of old age? If her superhuman body is immune to viruses and diseases, and cannot die of natural causes, does that not render her immortal? Maybe Claire will still be around in the year 3000 (that’s assuming Earth hasn’t been vaporised by then). I hope she remembered to pick up that discarded toe of hers, however. If not, her mother is in for a real shock when she next cleans the carpet! ‘Eek! A human toe, on the floor!’ Perhaps Mr Muggles ate Claire’s toe? Eww… I still don’t trust that boy from her new school. He is behaving very oddly. Why is he stalking around her house, anyway? I mean, yeah, the typical reaction of a teenage boy around a hot girl is perhaps to be expected, but he’s got this nasty serial killer, Norman Bates vibe going on.


Peter Petrelli is in Ireland for some reason (I’m not quite sure why. Last time we saw him, he was the catalyst for a large explosion, in which he was presumed killed) and he’s lost his memory. I hope he regains them soon, because amnesia is one of the more irritating SF clichés.

I was a little disappointed that Hiro’s father was killed of so early in the show’s run. I hoped to see more of George Takei in Heroes (having enjoyed his performances for so many years as Sulu in Star Trek). Hopefully, they’ll find some way to bring him back into the plot (as we all know, characters in fantasy and sci-fi shows rarely stay dead for long).

Although I liked his character in the first year of the show, I’m actually a little disappointed that Sylar is still alive in season two. I wish that another genre show would employ the ‘big bad’ structure that was used to such great effect in Buffy. A different threat every season, new characters, new challenges. It means that there is never a status quo. You can tell one season from another, because of which characters are present. It gives each season its own self-contained arc. Incidentally, I wonder what the big tagline for this season will be? Last year, it was ‘Save the cheerleader, save the world?’ …‘Stop the virus’, maybe?

I’m not terribly enthralled with the two new characters Maya and Alejandro. Fans on the Internet forums are already dubbing these two enigmatic Mexicans ‘Nikki and Paulo’ (named in ‘honour’ of the two new characters that were infamously introduced in ‘Lost’s’ third season; which proved highly unpopular with fans, and were swiftly killed off as fast as they were written in!) Hopefully, they’ll be fleshed out a bit more in the ensuing weeks. Does Maya’s creepy ‘black tears’ remind anyone else of those oil slick aliens in the ‘X Files’?

Heroes season two is certainly shaping up to be a great year. I am excited to see what developments are in store for us.
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Heroes, Season Two, Episode One, Four Months Later


I will not attempt to make any denials: I loved ‘Heroes’ season 1. Finally, here was a stab at a superhero narrative, on a TV budget, which didn’t suck. A television format allows you more time to develop story arcs and to flesh out your characters, which is one of the shortcomings of the archetypal 2 hour- motion picture form. ‘Batman Begins’(2005), though a splendid return to form for the soiled DC Comics Dark Knight (thanks to Joel Schumacher’s dreadful movies ‘Batman Forever’ (1995) and ‘Batman and Robin’(1997)), unfortunately spent too much of its running time having to go into Batman’s origin story, and there perhaps was not quite enough of the ‘real’ established Batman.

‘Heroes’ is a comic book for TV. Comic books have lengthy, drawn-out arc storylines, and so does ‘Heroes’. This show is a geek’s dream come true. With a supporting cast that includes many faces familiar to SF veterans (Christopher Ecclestone, who you’d remember as the ninth Doctor in Doctor Who(2005); George Takei, who played Mr Sulu in the original Star Trek series(1966); and Malcolm McDowell, who was Alex in ‘A Clockwork Orange’(1971) and Soran in ‘Star Trek Generations’ (1994) ) how could it possibly fail?

The stories are well-plotted and engaging, the characters are likeable (especially the time-bending Hiro (Masi Oka) ), and there’s enough drama packed into each episode to fill an entire season of Desperate Housewives (2004). There’s something for everyone in this show. It isn’t quite a soap opera, it isn’t quite a science fiction show, but it straddles several horses, and is adept at riding all of them.

Four months after the events of season one’s finale ‘How to stop an Exploding Man’, we pick up in season two with Hiro stranded in 17th century Japan, surrounded by an army of samurai warriors. Claire Bennett (Hayden Panettiere) and her father Noah (Jack Coleman) have started a new life, trying to keep themselves quiet; and off the Company’s sinister radar. Dr Suresh is giving lectures about the heroes, and is approached by a strange man who offers him a job. And Nathan Petrelli (Adrian Pasdar) is a slovenly, drunken, bearded mess of a man, who is blaming himself for his brother Peter’s death.

Heroes weaves a very complex web of stories centred around different characters, in different situations, yet they all seem to be part of the cohesive whole. I was quite impressed with this season’s opening episode. Particularly the Hiro storyline (I’m a real sucker for time travel stories). The man he has read so much about, and idolises as his hero, turns out not to be the man Hiro thought he was. For starters, the guy is not Japanese. He’s a Brit, and instead of being a courageous warrior who saved the town of Otsu, and married the swordsmith’s daughter, he’s a larrikin, cavalier drunkard who only cares about where his next flagon of ale is coming from. Although ‘hero-worship-turns-ugly-when -the-protagonist-actually-mee ts-their-hero-and-they ain’t-what-they’re-cracked-up -to-be’ stories have been done before numerous times in film and in literature, it isn’t often when a character is given the opportunity to travel back in time, and encounter one of their historical heroes.

The Mr Bennett subplot(in which he actually does work for a paper company this time, rather than a paper company as a front organisation for the Company) is fun, also. I loved his smug attitude around the obnoxious supervisor. And when Bennett finally twists the guy’s arm (figuratively and literally!) to leave him alone, that was a definite awesome moment!

Claire’s first day at her new school felt like a ‘Buffy’ episode from that show’s early seasons (not that that’s such a bad thing, because that was one of the best series, genre or otherwise, of the past decade, in my opinion). Here was an extraordinary girl, thrust into a very un-extraordinary situation. She was trying to blend into the crowd, look inconspicuous, and not stand out too much. No-one must know her secret, that she’s a hero who can regenerate damaged skin and heal injuries immediately. Of course, this is not an easy thing to do. Especially when you feel the need to stand up to the school’s resident queen bee cheerleader, who’s picking on less confident and self-conscious girls. That new guy, who I guarantee they are setting up as a love interest for Claire is weirding me out, though. He has that creepy serial killer glint in his eye. I don’t know, I’m getting an Anakin Skywalker from Episode Three psychotic vibe from him.

The episode was pretty great, and I look forward to seeing what unfolds as Season Two progresses. There are a few new characters (Alejandro and Maya) whose superhero powers have not fully been revealed yet, and the surprise return of an amnesiac Peter Petrelli promises great things to come, too.
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2001: A Human Catastrophe

October 1st 2007 07:36
I must say, I have been sorely disappointed with the 21st Century so far. Perhaps it was because I spent my youth watching Back to The Future, and thinking in the year 2000, we’d have hoverboards and flying cars. It is 2007, right? You’d think we’d be more technologically advanced than we actually are, in that year. There’s no way 2015 will look like the way it did in Back To the Future Part II (only 8 years to go, and that film will look extremely outdated. You know, we’re actually closer to 2015 than 1985? Scary)

The year 2001 was nothing like the movie of the same name, by the way. Where was the manned Jupiter mission? Where was the HAL-9000 supercomputer (Daisy…Daisy…), might I ask? Instead, 2001 will forever be remembered as the year when 9/11 happened. And that’s just sad. We used to look forward to the year 2001. It was a brave new world. An exciting future. Now, it’s a reminder of how little Humanity has actually progressed since we were apes living in caves. The world is now a frightening, depressing, paranoid place, in which terrorists are not a random baddie in a Die Hard film, but a very tangible threat to society


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